The author (left), with her father, Jack McCloskey, and siblings.
One night, when I was a sophomore in college, my father came to see me play basketball in Philadelphia. It was 1984. I was on the team at St. Joseph’s, and he was the general manager of the Detroit Pistons. He and my mother were long divorced, and I saw him only two or three times a year, when he came to town for a Pistons game or to scout a player. I had lost my starting spot at the beginning of the season, and that night I didn’t play much or particularly well.
My father waited for me after the game, and as soon as I saw him I burst into tears. I can still see his expression, tender and somehow unsurprised, even though we both knew that my performance was irrelevant. I had landed a full scholarship, but it was clear that I wasn’t going to develop into a college player of even minor significance. Something else was at stake, and I think we knew that, too. The game was the language he spoke, and I was losing my fluency.
Bu hikaye The New Yorker dergisinin June 03, 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye The New Yorker dergisinin June 03, 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
HOLIDAY PUNCH
\"Cult of Love\" on. Broadway and \"No President\" at the Skirball.
THE ARCHIVIST
Belle da Costa Greene's hidden story.
OCCUPY PARADISE
How radical was John Milton?
CHAOS THEORY
What professional organizers know about our lives.
UP FROM URKEL
\"Family Matters\" and Jaleel White's legacy.
OUTSIDE MAN
How Brady Corbet turned artistic frustration into an American epic.
STIRRING STUFF
A secret history of risotto.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
THE ORCHESTRA IS THE STAR
The Berlin Philharmonic doesn't need a domineering maestro.
HEAD CASE
Paul Valéry's ascetic modernism.