When “Stereophonic,” David Adjmi’s magnum opus about a nineteen seventies rock band recording an album, débuted last year, at Playwrights Horizons, the Off Broadway venue gave over part of its lobby to a vintage-clothing shop. The theatre knew that spending more than three hours with Adjmi’s characters, each one gorgeously outfitted in the designer Enver Chakartash’s flowing bell-bottoms and deep-cut kimono tops, would turn the audience into groupies. It wouldn’t matter that those same characters had been tiresome or vain or careless with one another—the often dreamy, sometimes electrifying flower-rock songs, written by Will Butler (formerly of Arcade Fire), would make us imagine our own green selves up there, and want the velvet pants to prove it.
Esta historia es de la edición May 06, 2024 de The New Yorker.
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Esta historia es de la edición May 06, 2024 de The New Yorker.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
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AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
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HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
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YULE RULES
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