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On the inaugural night of the Chippendales club, the audience's disbelief at the sight of a half-dozen men dancing and disrobing quickly melts into delight. The financially struggling owner, Somen (Steve) Banerjee (Kumail Nanjiani), has named his Los Angeles establishment for an eighteenth-century cabinetmaker whose rococo designs, Steve claims, adorned the residence of the viceroy of India. The venture may well be the earliest of its kind: a mainstream venue for striptease, by men, for women. The visual appeal of the amateur gyrators, who swan about on a sunken stage in the center of the room, to the Village People's "Macho Man," is questionable: they sport muscles and skimpy black underwear, but also mullets and long, greasy curls. Their looks may not matter much anyway; the hooting women are thrilled just to play the part of men for a night. But, for some, a real show needs more than role reversal. "Talk about a flaming pile of trash," the choreographer Nick De Noia (Murray Bartlett) says at a later performance, when Steve asks him to leave. (Male patrons are not allowed.) In less than a decade, the two men, working in tandem, turn Steve's frantic experiment into a national sensation, and lock themselves in a rivalry so radioactive it cannot but end in mutual destruction.
هذه القصة مأخوذة من طبعة December 19, 2022 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة December 19, 2022 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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SUBJECT AND OBJECT
What happened when Lillian Ross profiled Ernest Hemingway.
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The fall of red.
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Roz Chast on George Booth's Cartoons
There's almost nothing I like more than a laughing fit. It is a non-brain response, like an orgasm or a sneeze.
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CHUKA
I have always longed to be known, truly known, by another human being. Sometimes we live for years with yearnings that we cannot name.
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Rachel Aviv on Janet Malcolm's "Trouble in the Archives"
As Janet Malcolm worked on \"Trouble in the Archives,\" a two-part piece about prominent psychoanalysts who disagreed about Freud, she began a correspondence with Kurt Eissler, the head of the Sigmund Freud Archives.
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PERSONAL HISTORY - A VISIT TO MADAM BEDI
I was estranged from my own mother, so a friend tried to lend me his.
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AMERICAN CHRONICLES - WAR OF WORDS
Editors, writers, and the making of a magazine.
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LIVE FROM NEW YORK
A new docuseries commemorates fifty years of \"Saturday Night Live.\"
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An arachnophobe pays homage to the spider.
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TROUBLE IN PARADISE
Mike White's mischievous morality plays.