On Television - Devil May Care - "Evil," on Paramount+.
The New Yorker|September 02, 2024
"Evil," on Paramount+. The version of Catholicism favored by David Acosta, one of the two protagonists of the delightfully unhinged religious procedural “Evil,” likely doesn’t exist. David (Mike Colter), a Black man who starts the series as a priest-in-training, is often let down by the Church’s ossified white leadership. But his more progressive faith is accompanied by rather medieval forms of devotion. He battles against demons, participates in exorcisms, and chases the high of a formative vision of God, even if he can now only achieve moments of transcendence with the assistance of psychedelics. The temporal dislocation of his calling creates a sense of cognitive dissonance, but, in David’s view, dedicating himself to the Church, for all its imperfections, may be his best chance at insuring that the world doesn’t go to Hell in a handbasket.
By Inkoo Kang - Illustration by Xiao Hua Yang
On Television - Devil May Care - "Evil," on Paramount+.

The version of Catholicism favored by David Acosta, one of the two protagonists of the delightfully unhinged religious procedural “Evil,” likely doesn’t exist. David (Mike Colter), a Black man who starts the series as a priest-in-training, is often let down by the Church’s ossified white leadership. But his more progressive faith is accompanied by rather medieval forms of devotion. He battles against demons, participates in exorcisms, and chases the high of a formative vision of God, even if he can now only achieve moments of transcendence with the assistance of psychedelics. The temporal dislocation of his calling creates a sense of cognitive dissonance, but, in David’s view, dedicating himself to the Church, for all its imperfections, may be his best chance at insuring that the world doesn’t go to Hell in a handbasket.

This story is from the September 02, 2024 edition of The New Yorker.

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This story is from the September 02, 2024 edition of The New Yorker.

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