The author as a baby, with his parents and his older brother in New Jersey.
“Give me three numbers, baby.” My mother made this request often so often, in fact, that when I try to remember her voice this is what I hear. I can see her, too. She’s in the kitchen, sitting at the white Formica table, the green wall phone behind her, the phone she’ll soon pick up to place her bet. She’s smiling, because this moment is capacious: everything’s possible. It’s a moment in which—unless you’re a pessimist, and my mother is not—Fortune is on your side.
She’s dressed for the occasion, in a f lower-print top and stretchy yellow slacks, as if to advertise her innocence before breaking the law. Of course, for a long time I didn’t know that what my mother was doing was illegal. She certainly didn’t look like a criminal, sitting there with her blond hair intricately coiffed. The stylist had made it look like a sfogliatella, a kind of Neapolitan pastry that we often had in the house. My mother’s hair possessed the same golden hue, the same artful construction of multilayered swoops. Plus, the glossy lacquer of Aqua Net was not unlike the sugar on the pastry. That this delectable human might want my advice made me feel giddy.
I don’t recall her ever asking my brother for numbers. My brother was older, more confident, more defined as a person. Perhaps, as such, he lacked mystery. So my mother looked to me, the quiet one.
This story is from the August 05, 2024 edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the August 05, 2024 edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”