He had ransacked his mind but he could not remember and he could not recall many other things besides. The period before his arrival, for instance. He knew he came from elsewhere. His appearance made that abundantly clear, and he did not speak the islanders' language, although between gestures and the few words of his own language the islanders knew, he could communicate most of his basic needs.
The island was small. If one cared to, one could walk from one end to the other in a matter of hours. To reach the southern tip, where there was a swimming beach, he sometimes took one of the small buses that circulated throughout the day. Across the hazy sea to the south, one saw a city on a far-off coastline, with factories lining its harbor, whose tall chimneys emitted knotted white streams. An unmaintained road led from the swimming beach into steep hills above, where an abandoned complex of concrete structures had been overrun by bushes and ivy. To the north, not visible from the beach, was a distant shore, where rows of mountains resembling jagged waves disappeared into the mist.
The island itself had a teardrop shape. Craint knew this from a map at the bus depot and another at the ferry terminal. Its northern half had been given over to mining ventures.
Large machines dug up the rocky waste and pulverized it into powder and gravel. He had seen images of this in the small museum devoted to the island's history, where, unable to read the explanatory texts, he had had to invent his own history from the photographs and dates.
The problems with his memory made Craint reluctant to ask questions that might cause him to appear foolish. At his hotel he refrained from asking how many nights he had stayed, afraid such an inquiry might call attention to the bill he had no means of paying. For now, at least, the proprietors seemed unconcerned about their guest's ability to meet his obligations.
Denne historien er fra November 11, 2024-utgaven av The New Yorker.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra November 11, 2024-utgaven av The New Yorker.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”