I spent the summer of 2011 as an undergraduate researcher at the Rocky Mountain Biological Laboratory, in Colorado. My job was to collect burying beetles—necrophagous critters with wing cases the colors of Halloween—using traps made out of coffee cans and chicken flesh. Behavioral biologists are fascinated by burying beetles because of their biparental model of care: males and females prepare meaty balls from carcasses and then coöperatively raise larvae on them. I was a matchmaker, charged with setting up pairs of beetles and watching them co-parent.
That summer was a dream. I lived in a community of more than a hundred scientists, students, and staff. The research station, based at the site of a deserted mining town, was a magnet for weirdos and plant lovers, naturalists and marmot chasers, flower people and climate watchers. It consisted of dozens of cabins—some Lincoln Log style and more than a century old, others retrofitted into modern laboratories—encircled by spruce and aspen forests, montane meadows, and monumental peaks. I was more accustomed to sidewalks than to summits, but now I saw elk and black bears and woke up one night to a porcupine gnawing on my cabin. For the first time in my life, I found love, or something close to it. In spare moments, I retired to my room, where I drew and wrote in my journal. On the weekends, we scaled the Rockies.
Denne historien er fra September 16, 2024-utgaven av The New Yorker.
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Denne historien er fra September 16, 2024-utgaven av The New Yorker.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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NO WAY BACK
The resurgence, in the past decade, of Paul Schrader as one of the most accomplished and acclaimed contemporary movie directors is part of a bigger trend: the self-reinvention of Hollywood auteurs as independent filmmakers.
PRIMORDIAL SORROW
\"All Life Long,\" the title of the most recent album by the composer and organist Kali Malone, is taken from a poem by the British Symbolist author Arthur Symons: \"The heart shall be weary and wonder and cry like the sea,/ All life long crying without avail,/As the water all night long is crying to me.\"
CHOPPED AND STEWED
The other day, at a Nigerian restaurant called Safari, in Houston, Texas, I peeled back the plastic wrap on a ball of fufu, a staple across West Africa.
TOUCH WOOD
What do people do all day? My daughter loves to read Richard Scarry's book of that title, though she generally skips ahead to the hospital pages.
HELLO, HEARTBREAK
Heartbreak cures are as old as time, or at least as old as the Common Era.
ENEMY OF THE STATE
Javier Milei's plan to remake Argentina begins with waging war on the government.
THE CHOOSING ONES
The saga of my Jewish conversion began twenty-five years ago, when I got engaged to my first husband.
OBSCURE FAMILIAL RELATIONS, EXPLAINED FOR THE HOLIDAYS
Children who share only one parent are half siblings. Children who have been bisected via a tragic logging accident are also half siblings, but in a different way.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
BADDIE ISSUES
\"Wicked\" and \"Gladiator II.\"