It wasn’t on my list of likely occurrences that a nostalgic and sentimental holiday movie would provide some of the year’s sharpest characterizations on film and also boast a strikingly original narrative form. But this paradoxical blend turns out to make perfect sense in “Christmas Eve in Miller’s Point,” a finely crafted and achingly romantic memory piece, directed by Tyler Thomas Taormina. It’s set sometime in the two -thousands in the fictional Long Island town of the title, where members of a large Italian American family, the Balsanos, come together to celebrate the holiday. Written by Taormina and Eric Berger, who both grew up on Long Island and have been friends since middle school, the movie checks the genre’s boxes—long-awaited reunions and poignant separations, hearty festivity and romantic intimacy—but it does so in a way that provokes bracingly complex emotions and frames them in the snow-globe-like quotation marks of reminiscence.
This story is from the November 18, 2024 edition of The New Yorker.
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This story is from the November 18, 2024 edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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