Of those galleries hosting dinners, Larry Gagosian’s is the biggest, with 19 locations around the globe. That evening the Houston-based artist Rick Lowe had debuted a suite of paintings at Gagosian in his first New York solo show, which had come on the heels of his inclusion in the Whitney Biennial earlier in the year. A line snaked down West 24th Street, and staff had to ensure passage for certain VIPs: Met director Max Hollein, Brooklyn Museum director Anne Pasternak, former cultural commissioner Tom Finkelpearl, the Ghanaian British architect Sir David Adjaye. The opening was set to close at 8 p.m., but by 8:30 the gallery was still thronged. Lowe, 61, finally arrived at Altro around 9, flanked by a dozen family members from Alabama, many of whom had never been to New York City. The restaurant was crowded with well-wishers. David Breslin, who would be announced as the new modern and contemporary curator at The Met in a few weeks, was chatting with the artist Cy Gavin. Gagosian COO Andrew Fabricant ate at a table stuffed with collectors. The artist Awol Erizku held court at another without ever removing his Marni sunglasses.
At the center ofit all sat the show’s curator, Antwaun Sargent, who joined the gallery as a director at the start of 2021. Dressed in an outfit typical of his style—Gucci loafers with a Comme des Garcons jacket and Esenshel wool cap—Sargent occupied a seat reserved for Tyler Mitchell, the young photographer whose own Sargent-organized show at Gagosian would open the following week in London. Mitchell was occupied for the evening at a dinner hosted by Matthieu Blazy, creative director of the Italian fashion brand Bottega Veneta, at The Strand bookstore.
“Believe me, if I didn’t have to be here, I would be there—can you believe it, a Bottega dinner at The Strand?” Sargent said, his eyes wide.
This story is from the December 2022 - January 2023 edition of Vanity Fair US.
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This story is from the December 2022 - January 2023 edition of Vanity Fair US.
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