Entre abril y julio de 1994, la poblaci&oacute;n hutu de Ruanda asesin&oacute; al 70% de los tutsis. Un genocidio que sucedi&oacute; ante la mirada pasiva de Occidente y que fue promovido, en buena medida, desde una radio local, la RTLM (Radio T&eacute;l&eacute;vision Libre des Mille Collines), que mezclaba canciones de Nirvana con mensajes de odio. En los estudios de esa radio, a&ntilde;os despu&eacute;s, se ha imaginado el director de Hate Songs, Alejo Levis (No quiero perderte nunca, Todo parec&iacute;a perfecto), la puesta en escena de esa reconciliaci&oacute;n que los ruandeses han vivido en las &uacute;ltimas d&eacute;cadas. Tres personajes, un solo espacio: los actores ruandeses St&eacute;phanie (Nansi Nsu&eacute;) y Ncuti (Bor&eacute; Buika) y el t&eacute;cnico belga (&Agrave;lex Brendem&uuml;hl) metidos en el estudio para volver a grabar aquellas retransmisiones que incitaron la violencia entre vecinos. Para terminar el guion, Levis pas&oacute; un mes en Ruanda. "Ten&iacute;a que verlo con mis propios ojos, ver c&oacute;mo v&iacute;ctimas y verdugos estaban conviviendo. Y s&iacute;, sorprendentemente, es un pa&iacute;s pr&oacute;spero y est&aacute;n en proceso, han hecho un trabajo de memoria hist&oacute;rica muy potente, muy diferente del nuestro", relata. Han avanzado, aunque, como dicen sus personajes en pantalla, no han perdonado. "Si les preguntas, te dicen que no han perdonado, que la herida est&aacute;, pero que est&aacute;n tirando hacia delante y as&iacute;, quiz&aacute;, los hijos de&nbsp;sus hijos ya crezcan limpios. Han roto la rueda del odio porque es lo &uacute;nico que se puede hacer. Y en un momento como el que vivimos hoy con Palestina, parece imposible", contin&uacute;a.&nbsp;"Por eso tambi&eacute;n la idea de hacer la pel&iacute;cula ejemplificando, como inspiraci&oacute;n para la reconciliaci&oacute;n".
<img style="width: 100%;" src="https://cdn.magzter.com/1398785241/1714462760/articles/MYWBQKD1r1714988884809/4517471444.jpg">
<img style="width: 100%;" src="https://cdn.magzter.com/1398785241/1714462760/articles/MYWBQKD1r1714988884809/4557114557.jpg">
Cada uno de los tres personajes simbolizan uno de los actores en tal brutal episodio: "St&eacute;phanie es una superviviente tutsi que se fue del pa&iacute;s, ha pasado la reconciliaci&oacute;n fuera y ahora regresa casi como extranjera", cuenta Levis. "Ncuti es ese ruand&eacute;s hutu que se qued&oacute;, que ha vivido el genocidio y la reconciliaci&oacute;n en el pa&iacute;s, que arrastra ese sentimiento de culpa. Y Simon representa esa pasividad occidental". Los tres est&aacute;n inspirados en personas reales, aunque lo que ellos representan, "ficci&oacute;n dentro de la ficci&oacute;n", no lo es. Metidos en un &uacute;nico espacio (en el que rodaron cronol&oacute;gicamente durante 15 d&iacute;as), la pel&iacute;cula va tornando hacia el thriller e incluso el terror. "Siempre me la imagin&eacute; como muy sensorial: estamos en una radio que casi es una casa encantada en la que los sonidos reviven los recuerdos". Recuerdos terror&iacute;ficos, dif&iacute;ciles de asumir, imposibles de perdonar, pero que es necesario rememorar y verbalizar.
'Hate Songs' EN CARTEL

Días de radio y odio

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CINEMANIA

Billete a lo desconocido

Érase una vez un golpe

Emmanuelle DEVOS LA MUJER DEL PEDOFILO

La cólera del viento

Elogiemos ahora a las remeras famosas

MACKENZIE DAVIS

La intimidad del encuentro

CARLOS CUEVAS

Estos médicos te dejarán sin aire

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