Trinnov has forged a reputation when it comes to object-based home cinema sound, its Altitude32 and Altitude16 (HCC #287/#322) processors setting a high bar. But given a processor is only as good as the amp it's partnered with, it figured it had better build some.
The brand currently offers three power amps: the Amplitude8, the Amplitude8m, and the new Amplitude16 reviewed here. As the nomenclature suggests, the first two are eight-channel models, while the latter crams a staggering 16 channels of grunt into its stylish chassis.
The Amplitude8 is actually the big daddy in terms of its size, which matches the Altitude32, and ability to drive all eight channels at 225W into 8ohm loads Alternatively, the more svelte Amplitude8m is intended for use with the Altitude16, but can still push its eight channels at 200W.
Yet neither of those are a one-box solution for the expansive speaker systems Trinnov's processors are designed to feed. So in comes the Amplitude16, with its 16 channels, to partner the Altitude16 without requiring any additional amplification. Yes, Altitude32 owners may need more than one, but if you're rocking 32 channels I'm guessing space isn't an issue. The idea of a tidy solution certainly appeals to me, and the fact the Amplitude16 is styled to match the Altitude16 doesn't hurt either.
The amp has LEDs on the front to indicate the status of each of the 16 channels, including any that are bridged, and there's also an illuminated Trinnov logo that shows whether the amp is in standby (red), booting up (green) or full power (white). These LEDs look cool, but can be turned off if you're trying to keep your cinema as dark as possible.
This story is from the August 2022 edition of Home Cinema Choice.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the August 2022 edition of Home Cinema Choice.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
AV Avenger
You should think twice before accepting an invitation to play Resident Evil 4 with spatial audio in a haunted prison, warns Steve May
Catalogue classic Star Wars: Ep. VI - Return of the Jedi → Ultra HD Blu-ray, Disney
Forty years on from the movie's cinema release, Anton van Beek ponders what might have been if things had gone a little diff erently during the making of Return of the Jedi…
Feedback
Got an axe to grind? Need to comment on current tech? Want to share your knowledge with our readers? Team HCC is here to help
M&K Sound V12
TIME ON TEST: Three years REVIEWER: Steve Withers
Sony 'bar demands to be upgraded
This well-specified Dolby Atmos soundbar may have a mid-range price tag, but you'll soon want to spend more, cautions Steve May
Short and sweet
Marantz's compact AV receiver returns with a new look and boosted features – Jamie Biesemans slips it into his AV rig
Discreet delivery
A slim, stylish Scandinavian on-wall system impresses Mark Craven with its handling of the sweet stuff
One project, two rooms
Dan Sait reports on a custom install where a JVC PJ/ Atmos system is joined by a stylish media den
THE KING OF B RDA HOLLYWOOD
Three of his movies have taken over $2billon at the global box office, he's pioneered SFX and 3D technologies, and he's been to the very bottom of the Pacific Ocean. That's James Cameron by the way, not Anton van Beek
System selector!
Given three similar budgets, Mark Craven, Steve May and John Archer assemble three different AV setups focused on movies, streaming and gaming