JI CHANG-WOOK can serve as a template for an individual brand of action hero. He is more than just a stud brandishing a weapon or a savior combating detrimental authority. He boasts an innate level of poise that grasps all of what it is, which renders him an enduring action star. When he flexes his action displays, you see an imposing individual with strong management, resolve, precision, self-denial, and sensitivity lined up with amazing style-style in terms of both what he looks like and his body language, attitude, and eloquence. In action of any kind-gun-toting shots, frantic chase sequences, clandestine operations, stunts, and duels-Ji gets hearts racing.
I mean, I could watch Healer (20142015) over and over. His starring role in the classic action thriller expedited Ji's ascent to Hallyu stardom. The plot centers on a murder perpetrated by a group and draws along an ensemble of protagonists: a deft fighter in disguise, a reporter, and a reputable journalist.
This story is from the September 2023 edition of RollingStone India.
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This story is from the September 2023 edition of RollingStone India.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
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