CHRIS MCKAY adopted a simple mantra when it came to directing the upcoming action-horrorcomedy Renfield: "Make a fucked-up Dracula movie."
At first, that colourful mission statement might sound like a departure for McKay. He had previously helmed episodes of Robot Chicken and the animated The Lego Batman Movie before transitioning to the timetravelling alien invasion blockbuster The Tomorrow War. But actually the king of the vampires and his minion were right up McKay's street.
"I grew up watching John Carpenter movies," McKay tells SFX. "I'm a huge David Cronenberg fan. Tobe Hooper... Texas Chain Saw Massacre. Poltergeist. Jaws was a big movie for me. To this day, I gravitate towards horror. The perennial Christmas present was a Stephen King book - I grew up reading a lot of King.
"There was a neighbour kid down the block and his parents had a VCR. His parents were very permissive. I got to see Dawn Of The Dead. I got to see The Howling. I got to see all this stuff that was hard to find or not in the theatre.
"As I got older, there was The Fly and Scream," he continues. "Every kid in my high school, on their lockers would be sports heroes or somebody from a movie. On my locker, it was pictures of George Romero, Carpenter and Cronenberg. There were images from The Exorcist. I was probably considered very strange..."
RAISING THE DEAD
That weird and wacky sensibility paid off. After he'd completed The Tomorrow War, Universal sent McKay Ryan Ridley's Renfield screenplay, which was based on an idea by The Walking Dead creator Robert Kirkman. Charmed by the over-the-top premise, grounded characters and the story's potential, McKay didn't hesitate to sign on board.
Diese Geschichte stammt aus der April 2023-Ausgabe von SFX UK.
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Diese Geschichte stammt aus der April 2023-Ausgabe von SFX UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS