THEY BOLDLY WENT FROM The Original Series timeline of the 23rd century, rewrote Starfleet history and jumped over 900 years to the 32nd century. But the story is ending – for now – as the crew of the USS Discovery find themselves grounded with the fifth and final season of Star Trek: Discovery. Showrunner and writer Michelle Paradise sat down with SFX to give some insight into what that means for their untimely end.
Why is this the final season of Discovery?
Oh, gosh! I think those are a lot of decisions that are made above my head. We just found out that it was going to be the end, actually, after we had completely shot what was only originally going to be the fifth season. I can’t thank enough [our] studio and network partners for giving us the opportunity – once they had decided this was going to be the end, and once they had told us – to go and shoot some additional material so that we could wrap up the series as a whole and have it feel like a series end.
I’m sure, as you know, that’s most often not the case when a show ends. It’s just, “Well, whatever you’ve done, that’s the ending.” They are so aware of the impact of this show and how much people love it and what it means. So it’s a very uncommon thing to allow showrunners to go back and do some additional work to really tie it up in a satisfying way and I’m so grateful. I know Alex [Kurtzman] is too. We all are that they gave us the chance to do that.
Was that something that you were able to weave throughout the season? Or is it something that comes towards the end?
هذه القصة مأخوذة من طبعة April 2024 من SFX UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة April 2024 من SFX UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS
