When I was growing up, the way I always heard my dad refer to us was Cheyenne. But there was this one time he came to my second-grade class in Oakland. It was during November, so his visit was related to Native American Heritage Month or Thanksgiving. He hadn't told me he was coming; he'd coordinated with my teacher to talk to my class. When he walked into the room, I was so embarrassed, even ashamed. My dad looks phenotypically Native. There's no mistaking what he is when you see him. And there were no other Native kids in the class. My dad came in with arrowheads and an animal hide and other Native items of interest I had never seen at home before. During the presentation, he called us "Native Americans." It sounded weirdly formal. Other than in that one instance, we were only ever Cheyennes. When we drove the three days it took to see family in Oklahoma, it was to visit our Cheyenne relatives. When he prayed for what felt like 20 minutes before dinner, it was-in part-for our Cheyenne relatives.
It's almost unbelievable that we still know our tribes, belong to our tribes, or remember our distinct histories and languages and creation stories, given all that was done to get rid of us, to remove us from our land and from our culture-from life altogether. I think most Native people would prefer to be identified by their tribe. Currently, the generally agreed-upon most appropriate or least offensive name for us is "Native American." But this term also risks reducing us by taking away our diversity and complexity and making us a monolith-just like the term that was first used to refer to us by our colonizers. This is a double bind we find ourselves in.
This story is from the March 2024 edition of Harper's BAZAAR - US.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the March 2024 edition of Harper's BAZAAR - US.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
The Epic VISION of BARBARA CHASE-RIBOUD
With a MONUMENTAL new EXHIBITION in Paris, the Americanborn ARTIST looks back on a CREATIVE LIFE spent thinking BIG
She's a FREE SPIRIT and an OLD SOUL, a Disney Legend and a Grammy winner.ONE THING MILEY CYRUS is NOT INTERESTED in? Being PREDICTABLE.
Miley Cyrus is sitting in front of the stone-walled fireplace in her house in Los Angeles, holding up two coffee-table books.
Routine HABIT
How executive editor LEAH CHERNIKOFF found a SKINCARE REGIMEN she could finally COMMIT to
LIFE of the PARTY
Dance the night away with looks inspired by PARTY MAKEUP of the PAST. Grab BLACK EYELINER and lots of GLITTER, but leave perfection at the door. Here, how to re-create the coolest EYES, LIPS, and FACE for any FESTIVE OCCASION.
RETAIL Therapy
SHOPPING TODAY often feels more like mindless SCROLLING than BUYING something because it makes you feel SPECIAL. One writer discovers the beauty of a more PERSONAL, CUSTOMIZED EXPERIENCE.
CREATIVE Powers
In this edition, our columnist, DEREK C. BLASBERG, visits the PARIS STUDIO of the inimitable artist SETSUKO KLOSSOWSKA DE ROLA, who was married to one of the most celebrated painters of the 20TH CENTURY and has always approached LIVING her LIFE as if she were CRAFTING a MASTERPIECE
BIRTH Story
NEW MOTHERHOOD is often depicted as a BEATIFIC and BLISSEDOUT EXPERIENCE. Writer SARAH HOOVER'S JOURNEY couldn't have been further from it. In her new MEMOIR, she offers an unflinching LOOK at her STRUGGLE with severe POSTPARTUM DEPRESSIONand how she EMERGED from it.
What WORDS Are FOR
We have been LIVING in “UNPRECEDENTED TIMES\" for 25 years. KAITLYN GREENIDGE reflects on what it means to write through a NEW REALITY.
Tipping POINT
When the PROGRESSIVE A-LIST CLIENTELE of the fashionable workout BALLET BEAUTIFUL learned that its FOUNDER was MARRIED to an ARCHITECT of the MAGA BLUEPRINT to impose an ultraconservative social agenda, PROJECT 2025, many felt SHOCKED and even BETRAYED
SABATO's Way
hor GUCCI creative director SABATO DE SARNO, remaking the storied Italian HOUSE for a NEW ERA isnt about OUTRUNNING its PAST. ts about MAKING some HISTORY ofhis OWN.