On a balmy, Thursday night in June, Sophia Jaramillo, a recent Los Angeles transplant to New York City who has quickly found herself among a new wave of street style stars, celebrated her 23rd birthday with a “pastel prom”–themed celebration. Jaramillo decorated her fourth-floor Bushwick walk-up with curtains of holographic tinsel and served a heart-shaped cake bedecked with undulating squiggles of creamy frosting. On her nails she wore a rainbow set of press-ons in hues evocative of a bag of Jelly Bellies—piña colada for the ring finger, cotton candy for the pinkie—and across her eyes, a swipe of sky blue shadow. Jaramillo is into “the Sofia Coppola Marie Antoinette aesthetic,” she tells me. “Everyone’s really liking more soft tones. That’s something that’s just kind of naturally happened.”
Of course, nothing is completely organic. Call it a reaction against the ultra-defined, super-prescribed tutorials that have dominated YouTube and TikTok for years, the intensive contouring that turned us into so many topographical maps. We’re all kind of tired, whether from watching horizons turn an apocalyptic shade of wildfire orange or from having a pile of products pushed on us in pursuit of high-def cheekbones. The emergence of blurry-edged, ethereal makeup offers a break from that particular mode of filtered hyperreality. Give us our Monet moment, the soft edges of Seurat.
This story is from the September 2023 edition of Vogue US.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the September 2023 edition of Vogue US.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Nothing Like Her
Billie Eilish was adored by millions before she fully understood who she was. Now, as she sets out on tour without her family for the first time, she is finally getting to know herself.
Coming Up Rosy - The new blush isn't just for the cheek. Coco Mellors feels the flush.
If the eyes are the window to the soul, then our cheeks are the back door. What other part of the body so readily reveals our hidden emotions? Embarrassment, exuberance, delight, desire, all instantly communicated with a rush of blood. It's no wonder that blush has been a mainstay of makeup bags for decades: Ancient Egyptians used ground ochre to heighten their color; Queen Elizabeth I dabbed her cheeks with red dye and mercuric sulfide (which, combined with the vinegar and lead concoction she used to achieve her ivory pallor, is believed to have given her blood poisoning); flappers applied blush in dramatic circles to achieve a doll-like complexion, even adding it to their knees to draw attention to their shorter hemlines
Different Stages
A trio of novels spirits you far away.
The Wizard
Paul Tazewell’s costumes for the film adaptation of Wicked conjure their own kind of magic.
THE SEA, THE SEA
A story of survival on a whaling ship sets sail on Broadway. Robert Sullivan meets the crew behind the rousing folk musical Swept Away.
STAGING A COMEBACK
Harlem's National Black Theatre has been a storied arts institution in need of support. A soaring new home is shaping its future.
Simon Says
Simon Porte Jacquemus, much like his label, resonates with the sunny, breezy French South-but behind the good life, as Nathan Heller discovers, is a laser focus and a shoulder-to-the-wheel work ethic.
MOTHER SUPERIOR
The character of Rose in Gypsy is the acting Everest for many one-name acting legends. This fall, Audra McDonald takes it on.
WALK THIS WAY
THE FASHION FOR OUR FUTURE MARCH HAD A SINGULAR PURPOSE: TO GET OUT THE VOTE.
Written in Stones (and Etched in Metal)
Three years after taking the reins at Bottega Veneta, Matthieu Blazy unveils his first fine jewelry collection.