In letters inviting friends to her Sussex home, Virginia Woolf would often sign off with a simple directive: “Bring no clothes.” Not that she was expecting them to arrive naked—although, given the famously tangled love lives of the Bloomsbury group, her aristocratic band of early-20th-century British creatives, that wouldn’t be entirely outside the realm of possibility. She merely meant that visitors should come as they were.
This story is from the October 2023 edition of Vogue US.
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This story is from the October 2023 edition of Vogue US.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Coming Up Rosy - The new blush isn't just for the cheek. Coco Mellors feels the flush.
If the eyes are the window to the soul, then our cheeks are the back door. What other part of the body so readily reveals our hidden emotions? Embarrassment, exuberance, delight, desire, all instantly communicated with a rush of blood. It's no wonder that blush has been a mainstay of makeup bags for decades: Ancient Egyptians used ground ochre to heighten their color; Queen Elizabeth I dabbed her cheeks with red dye and mercuric sulfide (which, combined with the vinegar and lead concoction she used to achieve her ivory pallor, is believed to have given her blood poisoning); flappers applied blush in dramatic circles to achieve a doll-like complexion, even adding it to their knees to draw attention to their shorter hemlines
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