Ogilby invented the 17th-century equivalent of sat nav,' explains antique map specialist Tim Bryars. We call them strip maps because they follow the route of individual roads. There O are compass roses for reference, but the maps don't run north to south, or even east to west.
The whole focus is the road and the landmarks you might be passing on either side: you should be going up a hill or down a hill; there should be a windmill off to the left; you should be crossing heathland here. They are enormously detailed.
Earlier county maps by John Speed had been in circulation from 1610. It seems remarkable to us now, but while Speed's maps were very thorough - featuring towns, villages, rivers and mountains, along with the coats of arms of significant local figures, the sites of battles and other important historical events - they didn't include: any roads. That's mainly because Speed's maps weren't primarily intended for navigation. They were an expression of royal authority, of dominion over the land, and were bought by aristocrats and other wealthy people for their libraries.
Throughout the 17th century, travel was expensive, slow and dangerous. Only the deep-pocketed travelled any distance. Farmers might take their animals to market, but they wouldn't need a map for that they would know the route. But after the Civil War, roads were improved, and a new nationwide system of stagecoaches was introduced, carrying mail, goods and people. Travel began to open up.
This story is from the March 2024 edition of Homes & Antiques.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the March 2024 edition of Homes & Antiques.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Lisa Coppin
The Cotswold Company’s chief creative officer shares the pieces that mean so much to her
TRAVEL
Six of the best pineta, plus a festive trip to Covent Garden. Review of The Orange, Belgravia by Katie Pike, travel stories
OLD SHEFFIELD PLATE
Stumbled upon by chance, this ingenious material was a more affordable option than solid silver, and well-preserved examples are particularly desirable today
Merrily on high
Summoning servants since the 1700s, bell boards create instant English country-house style (even if you don't have any servants). Emma Longstaff dons her pinny
Let it snow
Nostalgic, magical and highly collectable, snow globes are curious objects of wonder that never fail to instil joy
Velvet Crush
Once the preserve of the wealthy, velvet finally touched all levels of society, thanks to advances in its production process
Celebrating in the Stable
Antiques dealer Julia von Hülsen specialises in Gustavian pieces - all of which look perfectly placed in her German home
THE SHOW MUST GO ON
Victorian toy theatres charming and exquisitely designed miniature worlds have inspired theatre royalty for decades. Today, the tradition is being kept alive by a small but talented network of makers
NICHOLAS LEES
The ceramic artist talks to Dominique Corlett about new ways of working with clay and blurring the edges of solid objects
Candy CHRISTMAS
Pastel hues, vintage decorations and bowls of sweet treats: the festive run-up is gloriously joyful at Bettina Færgeman's historic Copenhagen apartment, where there's an emphasis on entertaining...