In 1894, when Nicholas II became Tsar of Russia, he was the wealthiest man on the planet. Worth 240 billion pounds in today's money, he was richer than any modern-day billionaire. Unsurprisingly, the Russian royal family spent lavishly, and were served by several official court jewellers. But names like Hahn, Ovchinnikov and Bolin have been largely forgotten. Only one court jeweller - the House of Fabergé - has achieved longevity, becoming a byword for absolute luxury.
Founded in St Petersburg in 1842 by Gustav Fabergé, the firm rose to prominence under the directorship of his son, Peter Carl Fabergé. Kieran McCarthy, director of Wartski, the London-based firm which specialises in the work of Fabergé, explains why he came to eclipse his competitors: 'Carl Fabergé's genius was that he understood the desires and interests of his patrons. These were very wealthy, very spoiled people who could have the absolute best of anything they wanted. They already had fabulous jewellery. It didn't really excite them. But the skill, quality and ingenuity of Fabergé's designs sent shivers down the spine. Each was unique, like a work of art. His patrons recognised Fabergé as the greatest craftsman of his generation.'
The renowned Imperial eggs have also fuelled Fabergé's legendary status. At Easter an important occasion in the Orthodox religious calendar - even the poorest peasants exchanged painted or wooden eggs. In 1885, Tsar Alexander III commissioned Fabergé to create a special Easter present for his wife. This first egg followed a design specified by the Tsar - the plain white enamel exterior twisted open to uncover a series of surprises: first a yolk, made of gold, which contained a golden hen with ruby eyes. Hidden inside the hen was a diamond miniature of the Imperial crown, which itself opened to reveal the final surprise: an egg-shaped ruby pendant.
This story is from the April 2023 edition of Homes & Antiques.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the April 2023 edition of Homes & Antiques.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
48 hours in FUNCHAL
Jenny Oldaker discovers Madeira's capital to be an elegant, artistic place with wide open spaces, verdant beauty spots and a picture-perfect sea-facing location...
LUKE HONEY'S Enthusiasms
On an autumn day in 1783, a sheep, a duck, and a rooster became the first living creatures to fly in a hot air balloon.
Collecting NUTCRACKERS
Not just for Christmas, these nostalgic keepsakes come in an abundance of novelty shapes and styles, offering character and affordability for budding collectors
WHY I COLLECT Medals
Oliver Miller, managing director of Bishop & Miller Auctioneers and Valuers, is fascinated by medals - for him it's all about the preservation of stories for future generations...
Fashionably CURATED
Roni Lang's home in Deal, situated above her clothing store, is every bit as creative and stylish as you'd expect from a fashion designer
Work life balance
Lucy and Guy Rutter - a ceramicist and artist respectively - have found the ideal place to live and work: a Victorian property in Faversham attached to a once-neglected studio...
Farm FUSION
A farmhouse near Cape Town has been given a rustic-meets-industrial makeover, using found materials and objects, as well as treasures brought back from afar
SAVVY Sophistication
Affordable and intriguing charity shop and eBay finds are teamed with statement pieces in this impressive Victorian home in West Yorkshire
DARREN APPIAGYEI
The wood artist talks to Dominique Corlett about seed pods, creative reinvention and the life-enhancing feeling of turning a lathe
Collecting Dioramas MINIATURE WORLDS
From elaborate taxidermy museum displays to humble folk art creations, a diorama can transport us to another time and place