WOULD YOU CUT A painting in half?" This is how Ebony G. Patterson responds when people ask if her artwork can be displayed without her signature wallpapers. Maximalist floral patterns are often the backdrop of the Jamaica-born artist's displays, but they aren't there for decoration. Patterson views the garden as a multilayered metaphor for the human ecosystem in today's postcolonial world: Vines enshrine her portraiture and sculptural depictions of Black people. "My work examines ideas around visibility and invisibility," the artist explains.
This story is from the March - April 2023 edition of House Beautiful US.
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This story is from the March - April 2023 edition of House Beautiful US.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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