VISIT MALMAISON AT KNIGHTSBRIDGE or his offices in Tong Building and one will undoubtedly discover that horology and art are twin passions of Michael Tay, CEO of The Hour Glass Singapore. Hence, it was with little surprise that during an interview with Takashi Murakami in the artistic The Standard, High Line hotel nestled in the heart of New York’s Meatpacking district, that the jovial artist (with a dark side – we’ll get to that later) explained Mr. Tay’s involvement in encouraging him to say yes to a collaboration with Swiss watchmaker Hublot.
Nothing eventuated from it but we maintained contact and as an art collector himself, I appreciated his views on other artists. When discussing with Ricardo Guadalupe [Hublot CEO] and Miwa Sakai [Asia Pacific Regional Director at Hublot, Japan] the prospective roster of artists that Hublot could collaborate with, his name was put forward and the rest as we know it is history.”
Oriental yet occidental, Murakami is widely regarded as one of the most influential artists of his generation and an undeniable impact on the world of contemporary art. His blend of traditional Japanese art and contemporary pop culture has inspired countless artists and designers, and his unique vision has helped to shape the aesthetic of the 21st century. One of the most iconic aspects of Murakami’s art is his use of “Superflat” theory, a term he coined to describe the flattened, two-dimensional quality of traditional Japanese art – exemplified by the flat, simplified shapes and bold, graphic lines that give his works a highly stylised, almost cartoon-like quality.
この記事は August Man SG の Issue 187 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は August Man SG の Issue 187 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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