MANY of the hamlets and small villages that follow the River Windrush as it meanders through the western end of the Cotswolds lie in the dark shadow of steeply wooded slopes, until, eventually, the land rises to an escarpment that opens out offering fine views to the south. This is an area of estates and farms that date back to the early medieval period, a landscape marked out in honeyed stone walls and grazing sheep. It is here that, since 2012, the designer Graham Lloyd-Brunt has been helping the owners of what had once been a large working farm with many ancient outbuildings and barns to make a garden.
When the owners moved here in 1999, the farm came with significantly less land than the 40 acres it now encompasses. Over the years, however, they acquired further fields and woods, as well as several Cotswold stone outbuildings, notably a handsome long barn, a derelict old forge and a dilapidated stone cart shed in front of the farmhouse. All are spread out in what feels like no particular order down a steep slope, so that, from the road, only the mossed slate roofs are visible.
In the early years, much essential repair and maintenance was done throughout the site with the help of local dry-stone wallers and craftsmen. They secured a rat run of existing walls and created terraces that sloped from the top of the slope—encompassing a small productive garden now doubled in size—down to the farmhouse, where more recent work has created a small gravelled courtyard neatly walled and capped.
This story is from the September 20, 2023 edition of Country Life UK.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the September 20, 2023 edition of Country Life UK.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery