ROSES are the world’s most popular flower. And they were among the first to undergo domestication, both in China and in the Middle East—the famous Fertile Crescent that was the cradle of settled civilisation as we know it. In Roman times, roses were imported every year from Egypt, where they flowered many weeks earlier, for feasts and festivals—think of Sir Lawrence Alma-Tadema’s painting of the Emperor Heliogabalus smothering his roistering guests beneath an avalanche of rose petals.
After some hesitation—because roses were associated with heathen tales of Venus and Adonis—the Christian church absorbed the symbolism of roses into its allegories and practices. The red rose came to represent Christ’s suffering and is often seen in Medieval and Renaissance art. The usual subject for these images was Rosa gallica ‘Officinalis’, the richly scented beauty with delicate petals that we know as the red rose of Lancaster.
Red roses come in endless shades, hues and degrees of intensity. Old roses—gorgeous Gallicas such as ‘Charles de Mills’—often have a purplish tinge to their redness. This was the norm until bright-red roses that sparkle in sunlight were introduced from China at the start of the 19th century. Both are in the ancestry of all our florists’ roses today— the fragrant French rose and the brilliant-red Chinese. If you look carefully at a red rose, you often find that it has a bewitching white stripe or two at the base of the petals. This is a gene that came from China, with the first perpetual-flowering roses. Treasure it.
Diese Geschichte stammt aus der February 14, 2024-Ausgabe von Country Life UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der February 14, 2024-Ausgabe von Country Life UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery