IT'S NOON ON a weekday, but Asha Puthli is still in bed when she answers my Zoom call. She's in her nightgown, her hair tied up in a small knot at the front, gently rubbing the sleep out of her eyes. She had a late night, she explains, and is running on four hours of sleep. For a moment, she looks like any other 79-year-old, a little tired and a little groggy. Then she turns on the charm with a thousand-watt smile. "I did my Sardarji hairdo for you, especially," she jokes, delightfully droll. "My little munda look."
Over 50 years ago, Puthli moved from Mumbai to New York armed with a dance scholarship, a demo tape of Indo jazz fusion compositions, and dreams of being a jazz singer. On the strength of her prodigious vocal talent, endless gumption, and bagfuls of roguish charm, she achieved that and more. Through the 1970s and early 1980s, she put out a string of records that ranged from avantgarde jazz to glam, pop, and soul, all infused with a sense of cosmic spirituality and playful whimsy. A regular fixture at Andy Warhol's Studio 54, she was a fashion icon, dressed by Michaele Vollbracht and Manolo Blahnik and photographed by Richard Avedon and Francesco Scavullo. She starred in films by Ismail Merchant, James Ivory and Bruno Corbucci, became besties with trans actress Holly Woodlawn-immortalized in the Lou Reed hit "Walk on the Wild Side"--and inspired the sartorial and performance style of Debbie Harry.
Despite strong sales in Europe, Puthli's music never quite made it into the American mainstream. She retreated into semi-retirement in the 1980s, burnt out from constant clashes with a music industry that wasn't quite ready yet for a brown-skinned diva. But her music stayed in rotation, gaining cult status amongst crate-diggers and underground dance music fans. In the 1990s and early noughties, her music was sampled by hip-hop stars like The Notorious B.I.G. and 50 Cent, finding its way to a new set of listeners.
Diese Geschichte stammt aus der June - July 2024-Ausgabe von GQ India.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der June - July 2024-Ausgabe von GQ India.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
In Haider We Hope
The role of a fashion designer is one usually forged in chaos and fired down by “creative differences”. But on the eve of a new Tom Ford directorship, Haider Ackermann has never felt more free.
VIVA VARUN
Varun Dhawan on balancing fatherhood and film shoots, and the pressure of making the right choices.
PRATIK GANDHI'S QUIET EUPHORIA
The actor―who delivered a knockout performance in Madgaon Expresson the high of a hit and the pressure of sustaining success.
THE COMEBACK KID
Buoyed by his performance in Singham Returns, Arjun Kapoor doubles down on creativity.
SCRIPTING STARDOM
Vicky Kaushal on the thrill and terror of stepping onto a Sanjay Leela Bhansali set, charting an unconventional career, and making sense of the money game.
A TRYST WITH STARDOM
Triptii Dimri segued from her left-field roots straight to the animal park. The gamble has paid off.
WALKING A TIGHTROPE
Following the monster success of Stree 2, Rajkummar Rao opens up about navigating artistic fulfilment and box-office glory.
THE MAHARAJA OF MEHRAULI
It's been an action-packed year for Tarun Tahiliani, the emperor of Indian couture.
LONE WARRIOR
Kartik Aaryan on why, in an industry that only watches out for its own, he has to blow his own trumpet.
HITS AND HEARTBREAKS
Filmmaker Imtiaz Ali talks about redeeming himself with the extraordinary Chamkila, dealing with star-studded setbacks, and why we've forgotten to make love stories.