ANDREW LLOYD WEBBER'S Phantom of the Opera arrived from London in January 1988 amid enormous hype, chandelier-crashing its way to seven Tony Awards including Best Musical. With several other big imported shows (Cats, Les Misérables, Miss Saigon), it would reshape Broadway toward spectacle and tourist appeal. "We thought we were hot shit," says Russell Easley, who got his first job on Broadway as a dresser for the actor playing Raoul, Vicomte de Chagny. "And we were!"
This story is from the October 10, 2022 edition of New York magazine.
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This story is from the October 10, 2022 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
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