THE MOVIE PRODUCER LIVES ON A QUIET cul-de-sac above Beverly Hills, close enough to the action to see office towers, far enough away to run into the occasional mountain lion. Beverly Grove Place winds into a canyon shaded by eucalyptus trees; the neighbors are entrepreneurs, hedge-fund investors, heiresses, studio executives, actors, and the actors' agents. Their multimillion-dollar homes, like the producer's, have high gates and plenty of cameras.
One such home, a four-bedroom, sixbathroom at the end of a long driveway, is even more hidden than most. It had been on the market, sitting empty for months, when, in October, the producer spotted a car in the driveway. He didn’t think anything of it until more started showing up almost nightly. They clogged the narrow road, blocking the producer’s Bentley. Then heavy bass began pumping from the backyard pool area every night, the beat ricocheting around the canyon. People would arrive—tumbling out of Ubers, teetering up from the base of the street. Early one morning, two young-looking women in spaghetti straps carrying sparkly little purses rang the producer’s doorbell. “I’m about to climb this ho,” one said, looking at the gate. She pushed her mouth onto his Ring camera to kiss the lens.
People who could afford to buy a house on the cul-de-sac didn’t throw parties like these. After a few weeks, the producer called the real-estate agent on the listing for the empty mansion, 1316 Beverly Grove Place. No one had bought the house, the agent said. Whoever had moved in did not belong there.
Who the fuck are these people, the producer wondered, squatting in the most exclusive Zip Code in America?
This story is from the March 11-24, 2024 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the March 11-24, 2024 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
THE BEST ART SHOWS OF THE YEAR
IN NOVEMBER, Sotheby's made history when it sold for a million bucks a painting made by artificial intelligence. Ai-Da, \"the first humanoid robot artist to have an artwork auctioned by a major auction house,\" created a portrait of Alan Turing that resembles nothing more than a bad Francis Bacon rip-off. Still, the auction house described the sale as \"a new frontier in the global art market.\"
THE BIGGEST PODCAST MOMENTS OF THE YEAR
A STRANGE THING happened with podcasts in 2024: The industry was repeatedly thrust into the spotlight owing to a preponderance of head-turning events and a presidential-election cycle that radically foregrounded the medium's consequential nature. To reflect this, we've carved out a list of ten big moments from the year as refracted through podcasting.
THE BEST BOOKS OF THE YEAR
THE YEAR IN CULTURE - BEST BOOKS
THE BEST THEATER OF THE YEAR
IT'S BEEN a year of successful straight plays, even measured by a metric at which they usually do poorly: ticket sales. Partially that's owed to Hollywood stars: Jeremy Strong, Jim Parsons, Rachel Zegler, Rachel McAdams (to my mind, the most compelling).
THE BEST ALBUMS OF THE YEAR
2024 WAS one big stress test that presented artists with a choice: Face uncomfortable realities or serve distractions to the audience. Pop music turned inward while hip-hop weathered court cases and incalculable losses. Country struggled to reconcile conservative interests with a much wider base of artists. But the year's best music offered a reprieve.
THE BEST TELEVISION OF THE YEAR
IT WAS SURPRISING how much 2024 felt like an uneventful wake for the Peak TV era. There was still great television, but there was much more mid or meh television and far fewer moments when a critical mass of viewers seemed equally excited about the same series.
THE BEST COMEDY SPECIALS OF THE YEAR
THE YEAR IN CULTURE - COMEDY SPECIALS
THE BEST MOVIES OF THE YEAR
PEOPLE LOVED Megalopolis, hated it, puzzled over it, clipped it into memes, and tried to astroturf it into a camp classic, but, most important, they cared about it even though it featured none of the qualities you'd expect of a breakthrough work in these noisy times.
A Truly Great Time
This was the year our city's new restaurants loosened up.
The Art of the Well-Stuffed Stocking
THE CHRISTMAS ENTHUSIASTS on the Strategist team gathered to discuss the oversize socks they drape on their couches and what they put inside them.