'It consists of many parts created by many different components. Everything has a purpose and role, and the result is amazing. This is composer Antonín Dvořák discussing not an orchestra nor a symphony, but something equally dear to his heart: the steam engine.
'I The Czech composer was a big fan of locomotives, which burst forth into the same mid-19th-century world as his music. Indeed, he once famously declared, 'I would give all my symphonies for inventing the locomotive.
Dvořák is just one of a handful of composers who harboured extra-musical obsessions throughout their lifetimes. Let's meet some of these compulsive composers, starting with the rail-obsessed Romantic himself...
Antonín Dvořák: Trains
Dvořák's life story and that of the locomotive ran, for a while, along similar tracks. The railway reached his hometown of Nelahozeves during his childhood, bringing workers from across the Austro-Hungarian Empire for the construction project. From the family home, across the street from the train station, he would watch the new iron dragons pull past, laden with soldiers and civilians. This love of trains persisted throughout his life, and on moving to Prague, he designed a morning walk that took him above the tunnel through which trains would pull out from the city's imposing main station.
Dvořák once asked his student and future son-in-law Josef Suk to make an early-morning trip to note down the engine number of the Vienna express train. Suk duly set his alarm clock and headed off, opera glasses in hand, to get the crucial information. After the train had whistled through, he dashed to Dvořák's flat to show him the number. However, his precious information was greeted with a snort of laughter: instead of the engine number, Suk had noted the tender number at the rear of the train. Rookie error.
This story is from the April 2023 edition of BBC Music Magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the April 2023 edition of BBC Music Magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Discovering Donizetti - Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day
Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day. For most people, undertaking a lockdown project meant learning to bake sourdough bread, getting fit with Joe Wicks, or taking up a language. But Professor Roger Parker, the eminent historian of Italian opera and emeritus professor at King's College London, had something far more ambitious in mind. He set about unearthing songs by Gaetano Donizetti - many of which had been lost since the composer's lifetime - and the enterprise turned into a two-year labour of love.
Composer of the month - Bohuslav Martinů - Though the Czech absorbed many influences from his exile abroad, his colourful music was always distinctively his own
The youngest of six, Bohuslav was a sickly child, and his father or older sister often had to carry him the 193 steps up to the tower. He was shy at school, too, though showed an early talent for the violin and gave his first concert at 14. By the following year, the future composer was off to the Prague Conservatoire to take the first, if faltering, steps towards a career in music.
Symphonies Beside the Sea- Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction
Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction. It's a dimension of music-making that once was integral to many a British holiday experience, yet now has all but vanished. The tide went out, you might say, on the professional seaside (or pier, or spa) orchestra many decades ago. In their glory days, though - perhaps a quarter-century on either side of 1900-these ensembles were everywhere, from Bridlington to Eastbourne, New Brighton to Worthing, Blackpool to Bexhill-on-Sea, Cleethorpes to Brighton... the list is astonishing.
Richard Morrison- Do Classical Works About Mortality Reveal More To Us As We Get Older? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise?
As we get older do we respond differently to that vast canon of music dealing with mortality? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise? Or do human beings possess such a flexible sense of empathy that we can relate to virtually any state of mind if it is evoked convincingly enough by a composer?
Do Notes Win Votes? - There are multi-dimensional ways that music is used by political campaigners and their supporters today.
It was a little bit of history repeating when Rishi Sunak announced the UK General Election to the heckling of his political opponents blasting out D:Ream's 'Things Can Only Get Better'.
Västra Karup Sweden
The spirit of soprano Birgit Nilsson is alive and well in the town of her birth, home to a festival dedicated to her memory
Federico Colli
\"At this moment in time we don't need more virtuosi. We need musicians to engage with the philosophy of music
Harmonic Progression
What happens when classical music-style levels of ambition, invention and sheer length are brought to pop? The answer, as Meurig Bowen explains, is Prog Rock
Golden years
Young musicians may be physically fit, but with age come the advantages of wisdom and experience
Sweet Sixteen
As The Sixteen celebrates its 45th birthday, founder Harry Christophers speaks to Andrew Stewart about directing a choral powerhouse