AI: it’s not artificial, and it’s not intelligent. That’s a paraphrase of the computer scientist and composer Jaron Lanier’s take on AI as a work-replacing, culture-consuming and composer-destroying technology.
Yet how can Lanier be right? Because AI’s virtual tentacles are already grasping into the real musical world: if we can generate deepfake Drake and artificially resurrect John Lennon, what are the possibilities for classical cultures? Algorithmically induced Bach? Virtually composed Smyth? Network-synthesised Brahms?
This story is from the August 2023 edition of BBC Music Magazine.
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This story is from the August 2023 edition of BBC Music Magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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