THE BIG 400!
You think you’ve got issues? Well, we’ve got 400 of them. Since September 1992, each month (plus, more recently, Christmas too) has been marked by the arrival of a new installment of BBC Music Magazine, with news, reviews, interviews, a cover CD of complete works… and much more. Staff and writers come and go, and BBC MM HQ has shunted from London to Bristol to various lockdown homes, but the essence of the magazine remains the same. If you have been with us from the outset, thank you! By way of a reminder – or, if you have joined us more recently, as an introduction – here is a look back at our journey so far, presented in eight installments…
Issue 1 September 1992
On the cover: Anne-Sophie Mutter
Cover CD: Tchaikovsky ‘Pathétique’ Symphony
No. 6; Britten Sinfonia da Requiem
Review special: Glenn Gould Edition:
Beethoven Complete Piano Concertos; JS Bach
Keyboard Concertos, Goldberg Variations
‘Welcome to BBC Music Magazine, the first magazine to cover all areas of classical music,’ wrote editor Fiona Maddocks in our very first issue, before setting out the magazine’s intention to appeal to musical beginners and experts alike with a welcoming and unpretentious tone: ‘As one who has loved and studied music all my life, played chamber music and listened avidly to Radio 3, I am all too aware that there is ever more to learn – the expert in one area is a beginner in another. So, I hope this magazine will appeal both to the absolute newcomer and to those with years of musical experience behind them.’
Diese Geschichte stammt aus der May 2024-Ausgabe von BBC Music Magazine.
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Diese Geschichte stammt aus der May 2024-Ausgabe von BBC Music Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Look back in anguish
Despite Korngold's denials, there is much to suggest that his Symphony in F sharp is a grim depiction of the dark days of Nazism, argues Jessica Duchen
Come again?
If something is worth hearing once it's worth hearing again, explains Rebecca Franks, who charts a history of the use of echoes in music
THE BBC MUSIC MAGAZINE INTERVIEW
Music by women and composers of colour is not a separate set of pieces from the ones we know
A brilliant melting pot of discoverable works
Erik Levi enjoys Patricia Kopatchinskaja and friends' eloquent performances of lesser-known works by exiled composers
Pierre Boulez
Tom Stewart celebrates a composer, conductor and musical iconoclast for whom breaking from tradition was not an option but a must
Vienna's cacophonous concert ends to the sound of slapping
‘Fighting at a Schoenberg concert.
Molto humoroso
Cartoonist and broadcaster Gerard Hoffnung lampooned the world of classical music with splendid affection and wit, writes Andrew Green
There and back again
With retrospectives on album and in concert this month, Oscar-winning composer Howard Shore reflects on his years in Middle-earth and tells Michael Beek why he has a lot to thank the LPO for...
THE MAGNIFICENT SEVEN Pick a theme... and name your seven favourite examples
Composer-conductor Odaline de la Martinez prizes tempo, swing and bounce in her top rhythmic works
Crystal clear with plenty of punch
The great is, they say, the enemy of the good, and that is certainly the case with David Sanger’s interpretation of Vierne’s Organ Symphony No. 1, which stands head and shoulders above a strong field of alternative versions.
