IN HIS BOOK, Outliers: The Story of Success, author Malcolm Gladwell asserts that at least 10,000 hours of practice are required to excel at any given skill. If that's indeed the case, Australian guitar maestro Tommy Emmanuel certainly has a lot more than that under his belt. One of only five guitarists to be bestowed the title "Certified Guitar Player" by the legendary Chet Atkins -a "C.G.P." inlay marks the 12th fret of his signature TE series Maton guitars - Emmanuel is a master of precision, control, touch and tone, with a signature style honed by decades of writing and interpreting a vast array of songs, while relentlessly refining his technique.
It would be a daunting task to try to cover the totality of Emmanuel's style in one lesson, as he is both a master fingerpicker and flatpicker. So, here, we'll be exploring just some of the guitarist's favorite fingerstyle approaches and techniques. Lucky for us, one of New York City's finest fingerstylists, Gilber Gilmore (Instagram: @gilber_ gilmore, YouTube: @1972f1972,), has graciously joined us once again to create videos to accompany all of this lesson's examples, which you'll find at guitarplayer.com. (Gilmore's videos are also featured in my two-part lesson "Adventures in Fingerstyle Rock Guitar" in the April and May 2024 issues.)
As you'll see in these musical examples, fingerstyle guitar music is often notated with opposite stemming, also known as divisi notation, which allows two independent melodic or harmonic "voices" to be clearly shown and visualized for the reader. Upstemmed notes are generally picked with the fingers, and down-stemmed notes are most often picked with the thumb. In addition, much the same way that fret-hand fingers are indicated with numbers, pick-hand fingers are traditionally assigned a letter, based on the Spanish words for the various digits: p (thumb), i (index), m (middle) and a (ring).
This story is from the November 2024 edition of Guitar Player.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the November 2024 edition of Guitar Player.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
How I Wrote..."Year of the Cat"
AI Stewart reflects on his beguiling hit, some 10 years in the making.
UAFX
Teletronix LA-2A Studio Compressor
LINE 6
POD Express
MAN OF STEEL
He brought the Dobro to centerstage with his dazzling talent. As he drops his first album in seven years, Jerry Douglas reflects on his gear, career and induction in the Bluegrass Hall of Fame.
HIGH TIME
The new MC5 album took more than 50 years to arrive. The band members have all passed on, but the celebration is just beginning.
58 YEARS OF GUITAR PLAYER
As Guitar Player moves full-time to its online home, we look back at some of its greatest stories in print.
DRAGON TALES
In a Guitar Player exclusive, Jimmy Page sheds light on the amplifiers behind his Led Zeppelin tone and how they live again in his line of Sundragon signature amps.
CLOSER TO HOME
Rehearsal space, studio, vessel and abode Diego Garcia's boat is the home base for his new album, as well as his musical life as the seafaring Spanish guitarist Twanguero.
Funk Noir
With The Black Album, Prince made his greatest-and most infamousmusical statement.
Medium Cool
Striking the middle ground between its Thinline brethren, Gibson's ES-345TD remains a versatile, if underrated, gem.