If you had lasted until three in the morning at the fabled Woodstock festival of August 1969, you’d have witnessed the performance that caught the peace and love era in a bottle. The newly formed folk-rock supergroup Crosby, Stills, Nash & Young took the stage cautiously, with Stephen Stills memorably informing the crowd: “This is the second time we’ve ever played in front of people, man… We’re scared shitless!”
But for Graham Nash, looking out on that sea of humanity, there was a sudden sense that anything was possible. “Woodstock was a coming of age, a flowering of a generation of kids who decided they could take responsibility for their own lives and affect their destiny,” the songwriter later told Rolling Stone. “There was a certain glow about the 60s, a certain naiveté and exploration, an excitement for the future…”
As we know, it didn’t quite work out that way. But while CSNY is surely finished now – David Crosby having left us in January – Nash is still questing at the age of 81, releasing a new studio album, Now, that speaks out against crooked politicians and urges listeners to leave a better world behind them.
Are you pleased with Now?
“I wouldn’t be releasing it otherwise. I wouldn’t waste your time. I wouldn’t make an album that has one great track and nine other miserable tracks. No, I love this record. I’ve said that it is my most personal record. It’s exactly how I feel, right now. I’m 81 years old and if I can’t be honest now – I’m fucked!”
This story is from the June 2023 edition of Guitarist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the June 2023 edition of Guitarist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more