BEING LABELLED ‘PROG’ is still something of a novelty for Bristol-based Hands Of The Heron. But following a scenestealing appearance at last October’s Summer’s End Festival, they’re gradually starting to adjust.
“I really enjoyed how shocked some of the audience members were that they enjoyed it,” says multiinstrumentalist and vocalist Beth Roberts with a smile. “But we don’t set out to make music in any particular genre; we just make what sounds good to us.”
The human voice seems to be the most important instrument at the band’s disposal. Vocalist and clarinetist Claire Vine agrees: “There used to be a lot more instrumentation, but we do almost half of the set a capella now. We’re self-taught on our instruments, but we’ve all sung a lot, so there’s more ease in how we write for voice.”
Guitarist and vocalist Bec Garthwaite adds, “I think vocals are at the heart of all our instrumentation.”
This story is from the Issue 147 edition of Prog.
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This story is from the Issue 147 edition of Prog.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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