JETHRO TULL
Prog|Issue 139
Ian Anderson draws on Viking mythology on the follow-up to The Zealot Gene - but no one's living in the past on Tull's 23rd album.
Sid Smith
JETHRO TULL

When Ian Anderson began treading the boards in the early 1960s, there was never any expectation that bashing out a few blues standards could lead to something like a proper career. Pop stars came and went – even The Beatles thought all the fuss would blow over soon enough. If they were lucky they’d make a few hits, meet a few stars, have a few laughs and bank a few stories to tell the customers frequenting the shop they’d probably open in their settled-down post-pop life.

Well, that might have been the theory back then but somebody must have forgotten to pass the memo on to Anderson. Driven by a fearsome, unrelenting work ethic for more than half a century, the singing flautist and the current incarnation of Jethro Tull are back with their 23rd studio album, RökFlöte.

This story is from the Issue 139 edition of Prog.

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This story is from the Issue 139 edition of Prog.

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