Edinburgh-born singer, bassist and guitarist David Paton has played on countless great records throughout his career. First striking gold as the voice and writer of Pilot’s 70s power-pop smashes Magic and January, he went on to work with The Alan Parsons Project, Kate Bush, Camel, Rick Wakeman, Fish, The Pretenders and more. Paton has played Scalextric with Paul McCartney, performed at Live Aid with Elton John, and once politely declined to join a surgeon in an impromptu rendition of Magic while having a tiny camera inserted into his urethra. Now 73, but still remarkably well-preserved, he’s just written his star-studded autobiography Magic: The David Paton Story.
Why publish your memoir now?
I found myself relating stories about my career at dinner parties and friends and family said, “Why don’t you put them in a book?” I started 20 years ago and eventually got up to 60,000 words.
Pilot songs January and Magic never seem to get old. Are they the gift that keeps on giving?
Even now, Magic still gets used for so many things. In the US the manufacturers of the drug Ozempic have been using it to spearhead their campaign since 2018. It’s a diabetes drug, but one of the sideeffects is weight loss, so the Kardashians are [allegedly] using it!
You made nine albums with The Alan Parsons Project…
Eye In The Sky was probably the pinnacle. Everybody was really focused and after that we seemed to wane a bit because Eric [Woolfson, APP pianist] wasn’t writing songs of the same quality. He had a fall out with [record industry bigwig] Clive Davis and that was reflected in his writing. A few of the songs had a dig at Clive and I found it petty.
This story is from the Issue 140 edition of Prog.
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This story is from the Issue 140 edition of Prog.
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