She was the baby of the family, born in Bexleyheath in 1958, but in her elder brother John’s black and white snapshots of her aged between eight and 12, dressed up and posing in various places around the extensive family plot of East Wickham Farm and their seaside retreat near Margate, Kate Bush’s sweet little visage often shows a deep, pensive look that’s beyond her years.
Kate – then answering to Cathy – was taking everything in. Her semirural upbringing on the border of Kent and south-east London was a social bubble filled with family love, happily disrupted by two much older siblings who brought art, philosophy and music into an already culturally vibrant and liberal home. Their parents balanced practical jobs – their Irish mother a nurse and Essex-born father a doctor – with an enjoyment of fun and entertaining friends. While Kate’s brothers John (more frequently called Jay) and Paddy honed skills in martial arts, photography and performing folk music, Kate was surrounded by classic English poetry and literature, Celtic folklore and fairy tales, and she started to write poems. Some were published in her school magazine – a rare highlight in a time of unhappiness while at St Joseph’s Convent Grammar School, where Kate had few allies. Back home, comedy, TV drama and old films provided comfort when she wasn’t plonking away on a decrepit old church organ in one of the outbuildings, or spinning discs by Donovan, Bowie, Elton, Roxy, Billie Holiday and John Fahey.
Kate was signed up for violin lessons. However, Dr Bush – an amateur musician himself – acquired a piano and Kate’s world changed forever.
“[It was] a release,” she later told DJ Tony Myatt, “I could create something out of nothing. It was a very special discovery.”
This story is from the Issue 154 edition of Prog.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the Issue 154 edition of Prog.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.