Gary Farr and T-Bones in 1966. From left to right: Keith Emerson (keyboards), Lee Jackson (bass), Alan Turner (drums), Gary Farr (vocals), David "Cy" Langston (guitar).
Mari Kawaguchi: Gary Farr and T-Bones were a Brighton-based British rhythm and blues band who had a Friday residency at the famed Marquee Club in London. Gary Farr (19441994) was the third child of Tommy Farr, a Welsh champion heavyweight boxer. Keith stayed in the band from September 1965 until the end of 1966. During his tenure with the band, they toured with Manfred Mann and The Yardbirds. Keith and Lee Jackson went on to form The Nice, and David "Cy" Langston became a long-time tour manager of The Who. Keith remained friends with Jackson and Langston until his death. Cy often met up with Keith at the Rainbow Bar and Grill in Los Angeles. Cy passed away in 2021.
Keith waving an American flag during The Nice’s rendition of Leonard Bernstein’s America at The Eighth National Jazz and Blues Festival at Kempton Park Racecourse in Sunbury, UK, August 1968.
MK: It was a protest against the violence in the United States, such as the assassination of Senator Robert Kennedy, civil rights unrest and Vietnam war. A month earlier, in July 1968, Keith famously set the paper-drawn American flag on fire at the antiapartheid concert at the Royal Albert Hall in attendance of the American ambassador to Britain. The band was immediately taken offstage and indefinitely banned from the venue. On the eve of their US tour in 1968, Keith and The Nice manager Tony Stratton Smith had to swear to the US Embassy that no more flags would be burnt. The incendiary incident helped the single, America, to reach No 21 in the UK chart.
Rehearsing or recording on his Hammond organ with The Nice.
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Bu hikaye Record Collector dergisinin April 2023 sayısından alınmıştır.
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WINDOWS ON THE WORLD
At the peak of their powers in the early 70s, by 1975 there were signs that Led Zeppelin were burning out, and their legendary appetite for excess, not to mention stadium-straddling, mythically charged, epically inclined hard rock, might be waning.
HI-FIDELITY?
Running a record shop is a dream for many music aficionados. Steve Burniston investigates how to run a successful one
THE ENGINE ROOM
The unsung heroes who helped forge modern music
UNDER THE RADAR
Artists, bands, and labels meriting more attention
45 SHEFFIELD 45s
Continuing our celebrations of RC's 45th birthday and following on from our look at the best 45s to come out of Manchester, Liverpool, Bristol and Glasgow, we focus on the urbanisation formerly known as Steel City: Sheffield. Close to the (Nether) Edge: Jeremy Allen
Finished Symphonies
In the late 80s, Shelleyan Orphan made rarefied, ravishing, precious (both meanings) baroque pop, all chamber quartet accompaniment and literary reference points, like an 18th century Cocteau Twins.
"BLACK BRITISH PEOPLE HAD SOMETHING TO SHOUT ABOUT"
Breaking new ground for black music in Britain from his teenage years in Matumbi in the early 70s, Dennis Bovell went on to become one of reggae's most highly regarded producers, helping popularise lovers rock. He also played a pivotal role in post-punk's experimental incorporation of dub influences on records like The Slits' Cut and The Pop Group's Y. As new compilation, Sufferer Sounds, reaches back to his early days to compile some of his best early dub plates, Lois Wilson gets the full backstory from one of British music's most enduring forces.
FRENZY REUNITED
Swindon's finest musical export, XTC were also one of the most quietly influential British bands, setting a template for Britpop while pioneering a brand of left-field guitar pop – from herky-jerky invention to consummate craftsmanship – that has spawned many imitators.
Paperback Blighters - The books every record collector should read.
The books every record collector should read. Vinyl, you may have heard, has made a big comeback. In 2022, sales of vinyl albums surpassed compact discs (CDs) for the first time in more than three decades in terms of global revenue, racking up more than $1.2bn.
"Beware the Savage Lure/of 1984..." - David Bowie is one of the most venerated musicians ever. But even he had his bad periods.
David Bowie is one of the most venerated musicians ever. But even he had his bad periods. For many, 1984 remains the nadir of his Phil Collins” phase; an artistic/sartonial/tonsorial disaster area. But was it really that awful? Forty years on, Matt Phillips explores Bowie's so-called annus horribilis.
