THE Dwight STUFF
Record Collector|March 2024
Tulsa, Oklahoma native Dwight Twilley, who died in October 2023, was one of the prime movers of power pop, up there with Badfinger, The Raspberries, Stories, Todd Rundgren, Shoes and Big Star. Combining Sun Studio sonics with Beatles melodics, Jim Morrison-ish good looks and a kinship with Tom Petty, he had everything going for him. He only had two big hits 1975's I'm On Fire and 1984's Girls - and yet this prolific and gifted singer, songwriter and instrumentalist, operating under his own name and the Dwight Twilley Band, released many superb albums. Here, his widow, Jan Rose Twilley, speaks with Bill Kopp about his life and music.
Bill Kopp
THE Dwight STUFF

Dwight Twilley and his musical partner, Phil Seymour, began working together in 1967 when Twilley was only 16, Seymour a year his junior. The duo made a pilgrimage to Memphis’s Sun Studio, where they met Jerry Phillips, son of legendary studio founder Sam Philips. That encounter helped steer Twilley and Seymour toward a more rockabilly-flavored sound on their return to Tulsa.. They moved to Los Angeles not long after Twilley left Northwestern Oklahoma A&M College in 1973.

As a duo, Twilley and Seymour had been playing live billed as Oister; after they landed in LA, they came to the attention of a small label, Shelter. Founded in 1969 by Leon Russell and Denny Cordell, Shelter Records was based both in Los Angeles and 1400 miles to the east, back in Twilley’s hometown: Tulsa. Shelter signed Oister to the label and renamed the group the Dwight Twilley Band.

“I met Dwight through Susie when The Cowsills [late 60s/early 70s US teen-pop family band] were working at Clover Recorders,” says Jan Twilley, Dwight’s widow. “It was just a few blocks from Shelter Records on Hollywood Boulevard.” Jan Rose and Susan Cowsill had been best friends from the time they met as fourth graders at Hollywood Professional School. That learning institution was filled with young stars. “All of The Cowsills went to Hollywood Professional,” Jan recalls. Jan excelled in her studies, graduating a year early. “I’d always hang out at The Cowsills’ place on Rockingham, and Susan would often come hang out at my pad,” she says.

Released on Shelter in 1975, I’m On Fire was Twilley’s debut release. The song soared to the No 16 spot on the US Billboard singles charts and reached No 57 in Canada. It was around that time that Susan Cowsill and Dwight Twilley started dating.

This story is from the March 2024 edition of Record Collector.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the March 2024 edition of Record Collector.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM RECORD COLLECTORView All
WINDOWS ON THE WORLD
Record Collector

WINDOWS ON THE WORLD

At the peak of their powers in the early 70s, by 1975 there were signs that Led Zeppelin were burning out, and their legendary appetite for excess, not to mention stadium-straddling, mythically charged, epically inclined hard rock, might be waning.

time-read
10+ mins  |
February 2025
HI-FIDELITY?
Record Collector

HI-FIDELITY?

Running a record shop is a dream for many music aficionados. Steve Burniston investigates how to run a successful one

time-read
6 mins  |
February 2025
THE ENGINE ROOM
Record Collector

THE ENGINE ROOM

The unsung heroes who helped forge modern music

time-read
4 mins  |
February 2025
UNDER THE RADAR
Record Collector

UNDER THE RADAR

Artists, bands, and labels meriting more attention

time-read
4 mins  |
February 2025
45 SHEFFIELD 45s
Record Collector

45 SHEFFIELD 45s

Continuing our celebrations of RC's 45th birthday and following on from our look at the best 45s to come out of Manchester, Liverpool, Bristol and Glasgow, we focus on the urbanisation formerly known as Steel City: Sheffield. Close to the (Nether) Edge: Jeremy Allen

time-read
1 min  |
February 2025
Finished Symphonies
Record Collector

Finished Symphonies

In the late 80s, Shelleyan Orphan made rarefied, ravishing, precious (both meanings) baroque pop, all chamber quartet accompaniment and literary reference points, like an 18th century Cocteau Twins.

time-read
8 mins  |
February 2025
"BLACK BRITISH PEOPLE HAD SOMETHING TO SHOUT ABOUT"
Record Collector

"BLACK BRITISH PEOPLE HAD SOMETHING TO SHOUT ABOUT"

Breaking new ground for black music in Britain from his teenage years in Matumbi in the early 70s, Dennis Bovell went on to become one of reggae's most highly regarded producers, helping popularise lovers rock. He also played a pivotal role in post-punk's experimental incorporation of dub influences on records like The Slits' Cut and The Pop Group's Y. As new compilation, Sufferer Sounds, reaches back to his early days to compile some of his best early dub plates, Lois Wilson gets the full backstory from one of British music's most enduring forces.

time-read
10+ mins  |
February 2025
FRENZY REUNITED
Record Collector

FRENZY REUNITED

Swindon's finest musical export, XTC were also one of the most quietly influential British bands, setting a template for Britpop while pioneering a brand of left-field guitar pop – from herky-jerky invention to consummate craftsmanship – that has spawned many imitators.

time-read
10+ mins  |
February 2025
Paperback Blighters - The books every record collector should read.
Record Collector

Paperback Blighters - The books every record collector should read.

The books every record collector should read. Vinyl, you may have heard, has made a big comeback. In 2022, sales of vinyl albums surpassed compact discs (CDs) for the first time in more than three decades in terms of global revenue, racking up more than $1.2bn.

time-read
10+ mins  |
September 2024
"Beware the Savage Lure/of 1984..." - David Bowie is one of the most venerated musicians ever. But even he had his bad periods.
Record Collector

"Beware the Savage Lure/of 1984..." - David Bowie is one of the most venerated musicians ever. But even he had his bad periods.

David Bowie is one of the most venerated musicians ever. But even he had his bad periods. For many, 1984 remains the nadir of his Phil Collins” phase; an artistic/sartonial/tonsorial disaster area. But was it really that awful? Forty years on, Matt Phillips explores Bowie's so-called annus horribilis.

time-read
10+ mins  |
September 2024