
Most headbangers would point to Birmingham as the place where Black Sabbath spawned heavy metal, at the close of the 60s. Vital stages in the genre’s development also took place in the Black Country, in the mid-70s, as Judas Priest put metal up on bricks outside Rob Halford’s Walsall council house, hotwired it, and drove it into the future. Pinpointing a hub for the genre’s late-70s rebirth as the New Wave Of British Heavy Metal is trickier; London had Iron Maiden, Diamond Head continued metal’s Midlands lineage, Saxon put Yorkshire on the map, but there’s a strong argument to be made for Newcastle as the epicentre of the NWOBHM.
Home to Neat Records, synonymous with the movement, Newcastle boasted a remarkable quantity of bands. Alongside cult favourites like Fist, Avenger, Atomkraft, and Tysondog, the city also birthed the chart-storming Tygers Of Pan Tang, along with Venom and Raven, both central to the development of the US thrash scene, from which Metallica would emerge to become the biggest metal band on the planet.
Venom are widely credited as thrash progenitors, but Raven haven’t always received their due, although Metallica and Anthrax have been vocal in citing their influence. Both undertook crucial early US tours with Raven, all three bands having shared the management team of Jon and Marsha Zazula. In November 2022, Metallica played a tribute show for the Zazulas (both of whom recently passed away) with Raven as support, an indication of the high regard in which they still hold their former touring partners.
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WINDOWS ON THE WORLD
At the peak of their powers in the early 70s, by 1975 there were signs that Led Zeppelin were burning out, and their legendary appetite for excess, not to mention stadium-straddling, mythically charged, epically inclined hard rock, might be waning.

HI-FIDELITY?
Running a record shop is a dream for many music aficionados. Steve Burniston investigates how to run a successful one

THE ENGINE ROOM
The unsung heroes who helped forge modern music

UNDER THE RADAR
Artists, bands, and labels meriting more attention

45 SHEFFIELD 45s
Continuing our celebrations of RC's 45th birthday and following on from our look at the best 45s to come out of Manchester, Liverpool, Bristol and Glasgow, we focus on the urbanisation formerly known as Steel City: Sheffield. Close to the (Nether) Edge: Jeremy Allen

Finished Symphonies
In the late 80s, Shelleyan Orphan made rarefied, ravishing, precious (both meanings) baroque pop, all chamber quartet accompaniment and literary reference points, like an 18th century Cocteau Twins.

"BLACK BRITISH PEOPLE HAD SOMETHING TO SHOUT ABOUT"
Breaking new ground for black music in Britain from his teenage years in Matumbi in the early 70s, Dennis Bovell went on to become one of reggae's most highly regarded producers, helping popularise lovers rock. He also played a pivotal role in post-punk's experimental incorporation of dub influences on records like The Slits' Cut and The Pop Group's Y. As new compilation, Sufferer Sounds, reaches back to his early days to compile some of his best early dub plates, Lois Wilson gets the full backstory from one of British music's most enduring forces.

FRENZY REUNITED
Swindon's finest musical export, XTC were also one of the most quietly influential British bands, setting a template for Britpop while pioneering a brand of left-field guitar pop â from herky-jerky invention to consummate craftsmanship â that has spawned many imitators.

Paperback Blighters - The books every record collector should read.
The books every record collector should read. Vinyl, you may have heard, has made a big comeback. In 2022, sales of vinyl albums surpassed compact discs (CDs) for the first time in more than three decades in terms of global revenue, racking up more than $1.2bn.

"Beware the Savage Lure/of 1984..." - David Bowie is one of the most venerated musicians ever. But even he had his bad periods.
David Bowie is one of the most venerated musicians ever. But even he had his bad periods. For many, 1984 remains the nadir of his Phil Collinsâ phase; an artistic/sartonial/tonsorial disaster area. But was it really that awful? Forty years on, Matt Phillips explores Bowie's so-called annus horribilis.