Dramatis Personae
Outlook|December 11, 2024
Comparing an actor's struggles in Delhi and Mumbai maps out the differing cultures of two disparate cities
Tatsam Mukherjee
Dramatis Personae

DIBYENDU Bhattacharya remembers it like it was yesterday. National School of Drama (NSD) was the reason he moved out of Kolkata for the first time in 1991. He’d just won the Best Actor award from the Indian People’s Theatre Association (IPTA) three years ago. Having moved to the centrally-located theatre hub of Delhi, Mandi House, he soon realised that he was surrounded by embassies screening acclaimed films. “My days would end with watching Kurosawa” recounts Bhattacharya, “and sometimes even plays in Mandi House. Also, I had the fantastic library in NSD at my disposal. It was a different kind of experience. I’d never lived such a regimented life.”

Bhattacharya is among a rarified group of actors (such as Manoj Bajpayee, Ashutosh Rana, Manoj Pahwa, Naseeruddin Shah, Om Puri and Neena Gupta, among others) who sharpened their skills in theatre in Delhi first, before making the move to Mumbai for films. He was largely unfazed by the new city, instead, he took a liking to it immediately. It’s safe to say that Bhattacharya is among the exceptions, considering the contrasting cultures of the two cities. While Mandi House witnesses more art-based, social-justice driven works, the hubs of Mumbai—Juhu, Versova, etc., have a more factory quality to them. The objective is to ensure the steady churning out of films, shows, plays. It’s a starkly different approach that most actors have to grapple with when they make the switch. Even Shah Rukh Khan, who had worked with Delhi’s theatre veteran Barry John, had to reinvent his approach after tasting success at the beginning stages of his career in the early ‘90s, moving from Mani Kaul and Ketan Mehta to Aditya Chopra, Rakesh Roshan and Karan Johar.

Comparing an actor’s struggles in Mandi House and Versova maps out the differing cultures of two fundamentally disparate cities. But it also tells a fascinating story of how these two cultures have gone on to influence and contaminate each other.

This story is from the December 11, 2024 edition of Outlook.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the December 11, 2024 edition of Outlook.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM OUTLOOKView All
Between Life, Death and Protest
Outlook

Between Life, Death and Protest

The strain of sustaining a long protest is evident among farmers at Khanauri, but the sense of community remains strong

time-read
6 mins  |
February 01, 2025
Protest 2.0
Outlook

Protest 2.0

Farmers still have hopes from their leaders, but time is running out. The enemies, in the meanwhile, are sharpening their weapons

time-read
6 mins  |
February 01, 2025
Trajectory of Nowhere
Outlook

Trajectory of Nowhere

In the context of space and time, who are we humans and do we even matter?

time-read
5 mins  |
February 01, 2025
All of God's Men
Outlook

All of God's Men

THE ongoing Maha Kumbh at Prayagraj is a spectacle, a photo op, and an emotion and manifestation of the mixing of spirituality and faith.

time-read
1 min  |
February 01, 2025
Embers Rekindled
Outlook

Embers Rekindled

While the recent death by suicide of a farmer has rendered the mood sombre at Shambhu border, the protests have picked momentum at the call of the unions

time-read
9 mins  |
February 01, 2025
Time for Course Correction
Outlook

Time for Course Correction

What the protest by Punjab's landed peasantry tells us about the state's economy and society

time-read
7 mins  |
February 01, 2025
The Untouchable
Outlook

The Untouchable

The ideological chasm between Ambedkar's vision and the Hindutva worldview remains irreconcilable

time-read
6 mins  |
February 01, 2025
Frontliners
Outlook

Frontliners

A day in the life of women protesting at Shambhu border

time-read
5 mins  |
February 01, 2025
The Farmer-Composing Antagonist
Outlook

The Farmer-Composing Antagonist

Farmer leader Jagjit Singh Dallewal has been on a fast-unto-death at Khanauri border to pressurise the government to fulfil its promises to the farming community

time-read
5 mins  |
February 01, 2025
Till Death Do Us Part
Outlook

Till Death Do Us Part

Jagjit Singh Dallewal has reinforced how a fast unto death can serve as a warning and an appeal to the public and the government

time-read
5 mins  |
February 01, 2025