This brings out the insistence of publishing houses and critics to box authors into tight pigeonholes. Although allegedly dystopian, Prophet Song does much more than just speculate about an incumbent future. When asked about the inventive form of the novel, Lynch, in fact, disclaims the category. Lynch in conversation with Pranavi Sharma.
How do you bridge the gap between reality and unreality? Do you think dystopia, if you want to call it that, as a form was indispensable to make sense of the political reality around you?
I don’t think the book fits in the category of dystopia because a fiction where the events in the book are happening somewhere else in the world right now, ceases to be speculative. So, I think the dystopian handle is useful for publishers because it seems to be ridiculous, almost, that you would have this kind of an event in Ireland. There was an Irish journalist who wrote in The Guardian shortly after the book came out: “Well, events like this would never happen here because, in Ireland, we don’t have a far right”. Then a couple of weeks later, we saw that we had a far right. Then the same journalist wrote again about how we have a far right, and now we have to worry about leaders. I find that very amusing.
Apart from seducing the reader through form, to what extent do you think Irish English has carved its own vacancy? How do you make use of language in the book?
This story is from the March 01, 2024 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the March 01, 2024 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee