IN the run-up to the 2021 West Bengal Assembly elections, the Bharatiya Janata Party (BJP) released a music video of an election campaign song that recurrently used the name and photos of a Hindu gang-rape survivor from Bangladesh. The infamous incident happened in 2001 during a post-poll violence unleashed by the coalition of Bangladesh Nationalist Party (BNP) and Jamaat-e-Islami that had just won the election. After coming to power, Sheikh Hasina’s Awami League government tried to do what it could to stand by her. But for the Hindu nationalist camp in West Bengal, the incident was as relevant as ever.
The music video, which featured singer-turned-politician Babul Supriyo and several Bengali actors, also used images of security forces’ fight with visibly Muslim mobs and those of Islamic terror groups of West Asia, cautioning Hindus of West Bengal against taking ‘the Muslim problem’ lightly. It actually summed up their central electoral call—defeat Mamata Banerjee’s ‘Muslim-appeaser’ government to prevent West Bengal’s transformation into a mirror image of Muslim-majority Bangladesh.
Yet, they managed to win only one-fourth of the state’s 294 Assembly seats and polled fewer votes than they did in the 2019 Lok Sabha elections. Does it mean the people of Bengal rejected the overt Islamophobia spread by the Hindutva camp?
This story is from the 1 Sep 2023 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the 1 Sep 2023 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee