IN DECEMBER, THE public research firm WPA Intelligence came out with a small survey with potentially huge-and widely ignored-implications for institutional media, entertainment, and government.
Asking 1,000 registered voters which of eight listed media personalities they trusted, the firm found podcast iconoclast Joe Rogan-who has been serially singled out by the Joe Biden White House for COVID-19 "misinformation"-in second place with 36 percent, just edging out former Fox News host Tucker Carlson's 35 percent and Daily Wire impresario Ben Shapiro’s 33, and far ahead of the industry-respected CNN anchor Jake Tapper (23 percent).
In first place, with 40 percent, including the highest ratings of the group among political independents? Comedian Bill Maher.
Maher, whose 22nd season of HBO’s Real Time debuted January 19, the day before his 68th birthday, finds himself in an unusually important position in American discourse as he enters a 30th consecutive year hosting a political talk show on TV. As elite journalists increasingly shy away from “platforming” allegedly dangerous conservatives, Maher eagerly slings the bull with the Steve Bannons and Vivek Ramaswamys of the world. As late-night comedians elicit “clapter” for their dutiful swipes at Donald Trump, the HBO host still aims for actual laughs, in part by making his own political side uncomfortable. And in an era when both left and right are abandoning bedrock Enlightenment values of due process and free speech, Maher has become one of the most insistent (critics would say hectoring) voices for old-school liberalism.
“It’s a small band of us,” Maher says at the Beverly Hills Hotel’s famed Polo Lounge, “but we’re the ones who haven’t gone insane, and people know it.”
This story is from the March 2024 edition of Reason magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the March 2024 edition of Reason magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
THE REAL THREAT IS AN ISOLATED CHINA
DECOUPLING FROM TRADE WILL MAKE THE U.S. POORER AND CHINA MORE TOTALITARIAN.
Against Our Own Best Souls'
SISTER HELEN PREJEAN ON HERLIFE ASA WITNESS ON DEATH ROW
'THE POLITICS HAVE COME TO US'
HOW A CHRISTIAN CHARITY IN EL PASO ENDED UP AT WAR WITH THE TEXAS GOVERNMENT FOR HELPING UNDOCUMENTED IMMIGRANTS
MATERIEL LOSS
HOW THE U.S. MILITARY BUSTS ITS BUDGET ON WASTEFUL, CARELESS, AND UNNECESSARY 'SELF-LICKING ICE CREAM CONES'
'NOT A SUICIDE PACT'
HOW A 1949 SUPREME COURT DISSENT GAVE BIRTH TO A MEME THAT SUBVERTS FREE SPEECH AND CIVIL LIBERTIES
HOW MUSK CAN HELP TRUMP CUT TRILLIONS
DURING PRESIDENT DONALD Trump’s first term in office, the national debt increased by $8 trillion—due, in large part, to huge spending hikes that Congress passed and Trump signed.
THE IMPROBABLE RISE OF MAGA-MUSK
IS ELON MUSK A REACTIONARY WITHA DEFECTIVE BULLSHIT METER OR THE BEST PART OF THE SECOND TRUMP ADMINISTRATION?
A Free-Range Family
RIGHT NOW, CHILDHOOD is intensely meh. Maybe you read the recent report in The Journal of Pediatrics that said that as kids' independence and free play have gone down, their anxiety and depression have been going up.
Educulture Wars
THE CULTURE WAR is costing school districts billions, according to a report released in October 2024 by the UCLA Institute for Democracy, Education, and Access. The report surveyed superintendents at 467 school districts nationwide about extra expenditures they undertook because of increased conflict over culture war issues such as critical race theory, book chal- lenges, gender-related debates, and other politicized topics. The report estimates that such fights cost school districts around $3.2 billion during the 2023-2024 school year.
Q&A Penny Lane
PENNY LANE'S NEW Netflix documentary, Confessions of a Good Samaritan, delves into her life-changing decision to donate a kidney to a stranger. Known for her thoughtful and provocative storytelling, Lane has explored human connection and empathy in films such as Hail Satan? and The Pain of Others. Last October she spoke with Reason's Nick Gillespie and shared her emotional, physical, and philosophical experience with anonymous kidney donation and the challenges that came with it.