It's not an easy watch, not just because of the racist language and discomfiting power-dynamics. The role-playing leads to long sessions where the couples and their therapists (who are also in a racially mixed lesbian relationship) angrily express their feelings. Clint Ramos's echoey mirrored set - enabling the mostly white audience to watch themselves voyeuristically watching also makes it hard to hear at times. But Robert O'Hara's production, featuring a fine British-American ensemble that includes Kit Harington and Olivia Washington is challenging in the best way. It uses sex and therapy as metaphors for society's wider inability to talk honestly about race and touches on the desensitisation of modern life. Though its focus and sphere of reference are wholly American, it feels like a vital presence in the West End.
This story is from the July 11, 2024 edition of Evening Standard.
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This story is from the July 11, 2024 edition of Evening Standard.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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