From tiny beginnings in 2014 as an experimental "micro-play" about black and white working-class life in contemporary London, this enterprise from co-writers Roy Williams and Clint Dyer has grown to chart the political changes of the last 10 years, particularly the populist legitimisation of prejudice.
The original stagings at the National Theatre surfed the turbulent start, middle and aftermath of the pandemic.
The West End transfers, once again directed by Dyer, reference Kamala Harris's potential presidency.
This story is from the August 29, 2024 edition of Evening Standard.
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This story is from the August 29, 2024 edition of Evening Standard.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
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