What was writing Mirzapur like?
It was a very collaborative writer's room we had for Mirzapur. There was a lot of studying character arcs; we would think a lot about how we want to phase the seasons, and what gimmicks would sell. We spoke to a lot of local people as well. We took a pragmatic approach as to what the viewers would want to see.
Mirzapur has become a cult show over the years. Where did your inspiration to write this show come from? And did writing so much crime and gore ever get to you?
I come from Uttar Pradesh, so whatever I wrote were things I'd been observing from an early age. I have not committed any crime (laughs), but I've seen this ecosystem up close and been a part of it firsthand. So the authenticity was pretty easy for me to get a hang of. What I would say is that you have to know your palette and your audience. So you have to use your imaginative acumen to give the show a flavour that the audience would want to come back to.
Writing crime fiction doesn't take a toll on you, it's actually the opposite. Violence is such a strong and intense emotion, that when you're writing about it, it's almost as if you are venting it out of your system which feels pretty cathartic. Writing, in itself though, is a very exhausting job. It's the good kind of pain though.
This story is from the December 08, 2024 edition of Financial Express Pune.
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This story is from the December 08, 2024 edition of Financial Express Pune.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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