In its nascent days, India's Oscar entries were predominantly from the realm of parallel cinema, a movement that delved into the gritty realities of society, often defying mainstream conventions. Satyajit Ray, the cinematic maestro of Bengali cinema, was the trailblazer. His films, such as "Pather Panchali" and "Aparajito," were celebrated for their artistic brilliance and humanist themes. These entries often explored the intricate tapestry of poverty, caste, and social injustice.
However, as India's economy flourished and the film industry expanded, the focus shifted towards mainstream cinema. Films that were more commercially viable and catered to a wider audience began to dominate the Oscar race. Entries like "Slumdog Millionaire" and "Mother India" showcased India's vibrant culture and social realities adopted a more accessible narrative style.
This story is from the September 24, 2024 edition of The Free Press Journal.
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This story is from the September 24, 2024 edition of The Free Press Journal.
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