The most impressive discovery is an expansive fresco that depicts the Greek legend Helen of Troy, painted on the high walls of a large banqueting hall that was thought to be owned by a high-status politician.
One-third of the lost city is still yet to be cleared of volcanic debris, ash and pumice, but the current dig has led to the discovery of artefacts that underline Pompeii’s position as a bastion of the Roman Empire.
The banqueting room was discovered to hold several frescos, including two set-piece frescos. In the first piece, the god Apollo is seen trying to seduce the priestess Cassandra – but according to legend, her rejection of his pursuits led to her prophecies being ignored. The tragic aftermath of that rejection is depicted in the second painting, which sees Prince Paris meeting Helen – a union Cassandra knows will end in the Trojan War and doom them all.
This story is from the April 12, 2024 edition of The Independent.
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This story is from the April 12, 2024 edition of The Independent.
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