In this keystone of modern drama, derelicts Vladimir and Estragon — described by Beckett as “clowns” — battle against the meaningless of life, waiting in a blasted landscape for a man they don’t know who never comes.
The bleak wit and the absurdity sit well with our frightening but also ridiculous times, as does the plaster artificiality of Rae Smith’s set and the occasional breaking of the fourth wall.
This story is from the September 26, 2024 edition of The London Standard.
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This story is from the September 26, 2024 edition of The London Standard.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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