In 1995, political scientist Donald Emmerson raised a provocative question: Is South-east Asia more like a rose, that is, a region with a vibrant, distinct identity, or is it a unicorn, an elusive construct without a reality? This question challenges us to consider if the region embodies a cohesive identity or exists only as an abstraction.
South-east Asia is a vast and diverse region, home to myriad cultures, ethnicities and religious traditions. Some would posit that there are social and cultural commonalities, bound further by overlapping histories of colonisation and trade.
Others foreground differences, and highlight the transitions and instabilities, just as geographer Charles Fisher did in 1962, when he likened South-east Asia to the Balkans of the Orient, on account of its geographical fragmentation, the cultural and political fault lines, and its character as a "great crossing place of land and sea routes".
There is a general tendency to conflate "South-east Asia" with "Asean". Today, all of Asean's member states are part of South-east Asia, but they do mean different things.
South-east Asia references a geographical region south of China and east of India, and we can deliberate the social, cultural and economic characteristics of the region. Asean, on the other hand, is an alliance of nations with a specific mission to foster regional cooperation, promote peace and stability, and accelerate economic growth.
As Asean holds its summit this week, the chosen theme is "Connectivity and Resilience". How connected a region are we, and how would we assess our resilience?
ASEAN: CONNECTED AND RESILIENT?
Since its establishment in 1967, Asean has focused on building consensus through policies of non-interference.
This story is from the October 10, 2024 edition of The Straits Times.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the October 10, 2024 edition of The Straits Times.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Actress Rui En to sell bak kwa for a good cause
Local actress Rui En has made her first foray into entrepreneurship while also giving back to the community.
Squid Game 2 Tops Global Charts With 68 Million Views Amid Mixed Reactions
The second season of Netflix's blockbuster survival series Squid Game attracted more than 68 million views since its debut on Dec 26, topping the company's streaming charts globally.
Angelina Jolie and Brad Pitt finalize divorce after 8 years
Actor Brad Pitt and actress Angelina Jolie signed off on a divorce settlement on Dec 30, according to American media, marking a turning point in the eight-year legal saga.
It Ends With Us director sues NYT over Blake Lively story
Justin Baldoni, the American director and co-star of the romance film It Ends With Us (2024), and his publicists sued The New York Times on Dec 31, claiming the news organization defamed them in a story about allegations by Blake Lively, his co-star, that she had been the victim of a smear campaign.
Singapore Pop Icon Anita Sarawak Spotted in Las Vegas
Even after a public absence of over a decade, Singaporean 1970s pop diva Anita Sarawak still piques the interest of regional media.
Babygirl not that hot, Wallace & Gromit: Vengeance Most Fowl a quaint charmer
The story: Nicole Kidman won the best actress award at the 2024 Venice Film Festival for her performance of a chief executive who risks everything for an affair with an office intern (Harris Dickinson) half her age.
Streaming Sneaks Kick off the year with K-romance, nerdy heroes
In this monthly column, The Straits Times' streaming picks for January include a star-studded South Korean romcom, the return of a sleeper hit action thriller, a dangerous maths problem and a dead president.
I Am Seaweed playwright inspired by miso soup
A friend enamoured with making miso soup during the Covid-19 lockdown in Sydney, Australia, was the source of unlikely personal revelation for Singaporean theatremaker Cheryl Ho.
Exciting four hands and two pianos debut
It is a pleasure to encounter new piano duos – ensembles that hone the performance of music for four hands and two pianos into a fine art.
2008 play finds new relevance in divisive world
Playwright Haresh Sharma's monologue Eclipse, to be restaged in January, deals with the 1947 partition of India and Pakistan