Live Bulb, Live Time and Live Composite
Olympus, now OM Digital Solutions, was the first maker to introduce these clever features, and even now, only Panasonic has introduced something similar. Their purpose is to take the guesswork (or maths) out of shooting long exposures.
With most cameras you need to switch to Bulb mode when you want to shoot exposures longer than 30 or 60 seconds. And when Bulb mode is activated, the shutter is held open for as long as the shutter release (either on the camera or a remote release) is held down – though it’s often limited to 30 minutes. It’s great for night photography and shooting with a Big Stopper ND filter over the lens to enable water or cloud movement to be blurred.
Normally, if you’re using an ND filter to extend the exposure time, you have to calculate how long the exposure needs to be on the basis of the shutter speed without the filter. If you’re shooting at night, you can experiment with high ISO settings and a wide aperture to calculate how long the exposure should be at the aperture and ISO that you want to use. Live Bulb mode does away with all of that because you see the image build up on the screen or in the viewfinder of the camera and you simply close the shutter once you’re happy with how the image looks.
Live Time mode is similar to Live Bulb Mode except the shutter opens with a press of the shutter release and is closed with a second press once you’re happy with the way the image looks on-screen.
This story is from the January 17, 2023 edition of Amateur Photographer.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the January 17, 2023 edition of Amateur Photographer.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Join Club
The sociable Canvey Island Photographic Club is keen to grow its in-person meet ups
Capturing flight
Winners and finalists of Bird Photographer of the Year share their tips for success with Hollie Latham Hucker
140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
How good a camera can you buy for just £140?
Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide